Palindromically-stylised author NISIOISIN’s Bakemonogatari (Monster Tale) is the collective title of five story arcs published over three volumes (two in the original Japanese print) that is the origin of the now-expansive Monogatari series. Like the title suggests, they are stories of monsters, ghosts, and other supernatural beings that its protagonist happens to encounter and subsequently deal with. The aberrations in question draw from various mythologies and folklores, ranging from obscure Japanese tales to more well-known Western publications. This is no horror story, however; Bakemonogatari is best described as equal parts occult mystery, comedy, and in-depth analysis of the human psyche.
Sparing the preamble, Kizumonogatari (or Wound Tale, to which it has been officially localised) opens with an elaborate, multi-page description of a gust of wind lifting the skirt of a high school girl and revealing her panties. Such are we thrust into the mindset of Koyomi Araragi, the girl’s classmate, and the narrator of the eponymous tale of wounds that we are about to explore.